THE AESTHETICS OF GAMBLING: ON THOMAS HIRSCHHORN’S EX-VOTO-TOMBOLA
EXHIBITIONS

THE AESTHETICS OF GAMBLING: ON THOMAS HIRSCHHORN’S EX-VOTO-TOMBOLA

Alfonso Artiaco Gallery in Naples is hosting EX-VOTO-TOMBOLA, the sixth solo exhibition of Swiss artist Thomas Hirschhorn, whom the gallery ...

Read More September 15, 2026

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THE AESTHETICS OF GAMBLING: ON THOMAS HIRSCHHORN’S EX-VOTO-TOMBOLA
EXHIBITIONS

THE AESTHETICS OF GAMBLING: ON THOMAS HIRSCHHORN’S EX-VOTO-TOMBOLA

Alfonso Artiaco Gallery in Naples is hosting EX-VOTO-TOMBOLA, the sixth solo exhibition of Swiss artist Thomas Hirschhor...

Fatih TAN September 15, 2026
HARDI KURDA AT GAUDEAMUS FESTIVAL 2026 WITH TWO INTERACTIVE SOUND INSTALLATIONS
VENUES

HARDI KURDA AT GAUDEAMUS FESTIVAL 2026 WITH TWO INTERACTIVE SOUND INSTALLATIONS

In the 2026 program of the Gaudeamus festival, while taking part with two interactive works as a composer and sound arti...

EDITORIAL COLLECTIVE September 12, 2026
EROTICISM, VIOLENCE, AND THE BODY'S REGIME OF REPRESENTATION
EXHIBITIONS

EROTICISM, VIOLENCE, AND THE BODY'S REGIME OF REPRESENTATION

In Kahraman’s paintings, the conventional relationship between beauty and elegance, harmony, and aesthetic pleasure is t...

Mahsum ÇİÇEK September 06, 2026
THE BODY'S SURFACE: MEMORY, CULTURE, AND WAYS OF SEEING IN HAYV KAHRAMAN'S PAINTINGS
EXHIBITIONS

THE BODY'S SURFACE: MEMORY, CULTURE, AND WAYS OF SEEING IN HAYV KAHRAMAN'S PAINTINGS

. Within this field, the figure emerges as a carrier of historical experience, cultural transmission, and ecological int...

Mahsum ÇİÇEK September 03, 2026
FROM WASTE TO GARDEN: THE GARDEN OF FRAGMENTS
EXHIBITIONS

FROM WASTE TO GARDEN: THE GARDEN OF FRAGMENTS

In The Garden of Fragments, presented as part of OpenArt 2026, Sulaiman creates a public installation by bringing togeth...

EDITORIAL COLLECTIVE September 01, 2026
ENDURANCE A MANIFEST TO RESILIENCE, ART AS A STRATEGIC UTILIZATION FOR SURVIVAL
TEXTS

ENDURANCE A MANIFEST TO RESILIENCE, ART AS A STRATEGIC UTILIZATION FOR SURVIVAL

The deepest core of art is not a mere reflection of reality. But rather it is a radical conscious action that uses the s...

Hoshang BAHJAT August 29, 2026
BETWEEN THE PRIMARY AND SECONDARY SCENES: THE CRISIS OF PAINTING IN THE EXHIBITION JOÃO E EMBLEMA
EXHIBITIONS

BETWEEN THE PRIMARY AND SECONDARY SCENES: THE CRISIS OF PAINTING IN THE EXHIBITION JOÃO E EMBLEMA

Bringing together the works of Francesco João and Salvatore Emblema, the João e Emblema exhibition at Galleria Solito in...

Fatih TAN August 24, 2026
MELİKE KARA'S WHISPERS EXHIBITION OPENS AT KUNSTHAUS HAMBURG
EXHIBITIONS

MELİKE KARA'S WHISPERS EXHIBITION OPENS AT KUNSTHAUS HAMBURG

Kunsthaus Hamburg presents Whispers, a solo exhibition by Melike Kara, in Hamburg, Germany.

EDITORIAL COLLECTIVE August 22, 2026
FORMS OF ENDURANCE IN KURDISH ART: THE ENDURANCE EXHIBITION IN EXETER
EXHIBITIONS

FORMS OF ENDURANCE IN KURDISH ART: THE ENDURANCE EXHIBITION IN EXETER

Focusing on memory, loss, everyday life, and practices of resistance in the work of Kurdish artists, the group exhibitio...

EDITORIAL COLLECTIVE August 18, 2026
MAKE A NOISE
EXHIBITIONS

MAKE A NOISE

The singers in Leyla Yenirce’s chimerical choir all have something important to say. The Kurdish‑born artist talks to Lo...

Louise BENSON August 15, 2026
KRAS û FISTAN / DA SEVE: A FORM OF RESISTANCE
VENUES

KRAS û FISTAN / DA SEVE: A FORM OF RESISTANCE

Ferhat Kartal's Kras û Fistan / Da Seve performance is grounded in the continuity of Êzîdî cultural memory, on collectiv...

Ahmed KUTLU August 11, 2026
FIREZZ OPEN CALL: DOCUMENTS ON KURDISH CONTEMPORARY ART
TEXTS

FIREZZ OPEN CALL: DOCUMENTS ON KURDISH CONTEMPORARY ART

We invite you to share your documents, texts, translations, critiques, research, and interviews related to Kurdish conte...

EDITORIAL COLLECTIVE August 08, 2026
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